The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Steve Irwin's impact has far exceeded his hit series The Crocodile Hunter. Chronicling his childhood to his time as a global icon, those who knew him best reflect on the remarkable life of the man, father, husband and wildlife conservationist.
Documentary of the making of Michael Jackson's Captain EO film for the Disney theme parks.
An appreciation of composer Ennio Morricone, Il Maestro, by film music expert John Burlingame.
Dolley Madison lived through the two wars that established the U.S., was friends with the first 12 Presidents, and watched America evolve from a struggling young republic to the first modern democracy in the world.
The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
At the Winter Olympics of 1980, after two tense weeks amidst growing Cold War fears, the U.S. Olympic hockey team found themselves playing improbably against the legendary unbeatable Soviet Army hockey team for Olympic Gold. From the live footage taken at Lake Placid, NY, and through interviews beginning with the team's assembly through the experience of winning the gold medal.
A recreation of the interview with Stanley Kubrick that Playboy magazine published in its September 1968 issue and that has become essential when approaching the reflections and theories that led the director to shoot one of his masterpieces.
French documentary on the Spaghetti Western genre, with numerous interviews.
Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).
Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this
In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.
An investigative documentary that examines the systemic abuse of elderly people in Las Vegas, Nevada revealing a cautionary tale where some of our society's most vulnerable citizens are robbed of their life savings, healthcare and freedom.
A documentary about the life and career of American jazz guitarist Tal Farlow
Renowned Iranian director Jafar Panahi received a 6-year prison sentence and a 20-year ban from filmmaking and conducting interviews with foreign press due to his open support for the opposition party in Iran's 2009 election. In this film, which was shot secretly by Panahi's close friend Mojtaba Mirtahmasb and smuggled into France on a USB stick concealed inside a cake for a last-minute submission to Cannes, Panahi documents his daily life under house arrest as he awaits a decision on his appeal.
After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
Tom Baker and Philip Hinchcliffe meet at Tom's home to discuss the making of their final story together. Also featuring actors Louise Jameson, Trevor Baxter and Christopher Benjamin, director David Maloney, designer Roger Murray-Leach and costume designer John Bloomfield.
14Reels is a collective film in Super 8, where 14 directors in 14 cities around the world have filmed and edited in camera one reel each on the theme of the city.
Ben Lewis spends time with Richard Linklater, the highly-respected director of 'Slacker', 'School of Rock', and 'Before Sunset', along with some of the stars of his films. He attempts to discover how an anti-consumerist filmmaker has become a worldwide success.
In November 2015, when gunmen attacked Paris, France declared war on the Islamic State. But that war - and France's 'year of terror' - began a year ago with the attack on satirical magazine Charlie Hebdo. With unprecedented access to the French authorities and previously unseen footage, five-time Bafta-winning director Dan Reed reveals the untold story of the massacre and of the first Islamic State strike in Paris at a kosher grocery store. Key witnesses, police officers and survivors - many speaking for the first time - piece together the dramatic attacks and the unprecedented manhunt that gripped the world for three extraordinary and terrifying days.
In this documentary directed by Spike Lee, he interviews the cast and crew of his 1989 film DO THE RIGHT THING. It also includes footage from a twentieth-anniversary screening of the film.
The Strokes headlined United Kingdom's Carling Weekend festivals in 2002, and their misadventures were largely chronicled by this short documentary 'In Transit', which was released to members of the now-defunct 'Alone, Together' fan club back in 2004.
Live DVD released in 2003 by the metal band Shaman.
Two years ago, Josh Fox introduced us to hydraulic fracturing with his Oscar®-nominated exposé Gasland. Now this once-touted energy source has become a widely discussed, contentious topic. In his follow-up, Fox reveals the extreme circumstances facing those affected by fracking, from earthquakes to the use of federal anti-terror psychological operations tactics. Gasland Part II is the definitive proof that issues raised by fracking cannot be ignored for long.