Tell Me Who I Am

In this documentary, Alex trusts his twin, Marcus, to tell him about his past after he loses his memory. But Marcus is hiding a dark family secret.

Temporary Shelter

When Ukrainian filmmaker Anastasiia Bortuali is displaced to Iceland, she documents her fellow refugees, capturing their fragility and strength against a dramatic backdrop of northern lights and volcanic eruptions.

Román

Record of Juan Román Riquelme's last game wearing the Boca jersey, on May 11, 2014, in the 3-1 victory over Lanús at La Bombonera. Various characters will attempt to define who this man is.

Just Don't Think I'll Scream

January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.

9/11: The Plane that Hit the Pentagon

On the 15th anniversary of the attack, survivors and first responders share their vivid recollections of the day that changed the world.

Andrea Bocelli 30: The Celebration

Journey to the Teatro del Silenzio (Theater of Silence), Lajatico, where once-in-a-lifetime performances showcase the Maestro’s extensive and beloved repertoire, alongside captivating duets with an unprecedented cast of global superstars, including Ed Sheeran, Shania Twain, Will Smith, Jon Batiste, Sofia Carson, Lang Lang, Nadine Sierra and more. With extraordinary staging, production, and visuals, set against a landscape of unparalleled beauty amongst the Tuscan hills, Andrea Bocelli’s sensational career comes to life in a truly unforgettable experience.

Tales of Masked Men

Directed by award-winning filmmaker Carlos Avila, this documentary program profiles three legendary wrestlers in a creative and imaginative exploration of the colorful, fascinating and mysterious world of lucha libre Mexican wrestling.

Italy Is Not a Poor Country

A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others of the traditional way of living of poorer Italian regions.

Fear of a Black Republican

A personal look at Black Republicans and the lack of a Two-Party Political System in Urban America.

Empire of the Censors

The history of film and video censorship in Great Britain.

La bella stagione

The Perfect Weapon

Explore the rise of cyber conflict as the primary way nations now compete with and sabotage one another. As fear mounts about how potential cyberattacks will affect 2020 elections in the U.S., the film features interviews with top military, intelligence and political officials and includes on-the-ground reporting from the frontlines of the cyber wars.

Arr. for a Scene

Arr. for a Scene is a documentary of two foley artists while they are producing sounds for one of the most famous scenes in the history of film: the shower scene from Alfred Hitchcock’s Psycho, 1960.

When We Were Bullies

A mind-boggling "coincidence" leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago.

Yeshua

Split into five parts and filmed on location in Israel and elsewhere, Yeshua features interviews with scholars, reenactments of events, and recreations of ancient culture and ritual.

Family Secrets: The Disappearance of Alissa Turney

Explores the disappearance of Alissa Turney in 2001, with her sister Sarah giving unprecedented access to the continuation of her story, including a recently unearthed trove of home videos, as she re-examines her and Alissa’s childhood. Sarah makes chilling discoveries, breaking through years of manipulation to reconstruct the truth of the past and be free of her father’s influence. Sarah’s final conversation with her father is haunting and a testament to her tenacity and unending search for Alissa.

Sounds Like Nino Ferrer

Nino Ferrer has had several lives: hits that made him famous; a dark but artistically fruitful period; a hidden life -of his own making- breaking away from showbiz. All these facets are concentrated in a brilliant, complex, skinned character. "It looks like Nino Ferrer" is a film rich in international archives (TSR, RTSI, Rai...), rare documents (Super 8 films of the Ferrer family) and even unpublished films (Nino Ferrer as an actor in an advertisement for Italian cheese). The film is also punctuated by the memories of famous musicians such as Manu Dibango as well as by the singer's successes and his live performances (L'Olympia, L'Arche de Noé).

Lance

A personal examination of the rise and fall of Lance Armstrong.

A Spark Story

A documentary film providing an exclusive and immersive look at the process of Pixar Animation Studios filmmakers as they step into a leadership role and strive to bring their uniquely personal SparkShorts visions to the screen.

Bandefører Balling

Generations of the Game

Generations of the Game, playing at the National Baseball Hall of Fame and Museum’s Grandstand Theater, features Hall of Fame narrators along with voices such as Hall of Fame Chairman of the Board Jane Forbes Clark, Ford C. Frick Award winner Bob Costas, recently retired heroes and current stars.

Kill Your Idols: More.

A full-length feature documentary produced in 2006 which serves as a companion piece to and is included on the DVD of the 2004 film KILL YOUR IDOLS.

1 Million Zombies: The Story of Plaga Zombie

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

NY77: The Coolest Year in Hell

New York City, 1977 - It was a time when the city had fallen into decay, with too few jobs, money, police, schools, and social services. There was a city wide blackout with major looting, a serial killer on the loose, and the Bronx was burning. And yet out of the chaos emerged one of the most creative times any city has ever encountered.

Cleopatra

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.
Load Time: 0.0436 sec